Voonik Fashion

Every Woman's Fashion Blog



New York Fashion Week S/S ’17


Tom Ford presented a collection that was anything but “spring-y” as this King of Fashion swapped the old fashion show business model for today’s “buy now, wear now” concept. He delivered a fall/winter collection of patchwork leathers, color-blocked furs, tweeds, and velvets perfect for cool weather element dressing. Menswear rounded out the collection giving buyers and customers alike access to what you’ve got to have NOW.
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There wasn’t much that wasn’t AWESOME in the collection presented by Thakoon Panichgul last week.  An exciting presentation of rich fabrics in earth tones, there was no mistaking that fall 2016 was on display here. Great knits, strong shirts and jackets were layered over skirts, pants, dresses and jeans to create easy, wearable stylings that reflected his trademark utilitarian aesthetic.  This was sportswear with a bit of street creed at its best.

Beautifully tailored and delicately crafted, Jason Wu’s SS17 collection had a spring theme with floral appliqués and fine gauge, dusty colored lace dresses. But the pieces also had a nice transitional feel with merino pants and long sleeves. His sheer tops and dresses were sexy and sophisticated.  Soft draping, architectural cuts and skilled tailoring gave his dresses a thoroughly modern feel with many of the options so striking that you’d hardly be able to wear them twice without people noticing.

The right soundtrack is very important for any runway show, and Gurung chose a recital of the poem”Phenomenal Woman” by the late great Maya Angelou. That was the way Prabal Gurung chose to conclude his spring runway show, and it seemed to speak as much to another upcoming collection of his as to his general outlook on the Gurung customer. That spirit was on hand – Gurung’s ladies were strong, confident and have places to go. This showed in the silhouettes her chose – like the luxe cashmere boucle sweater, yanked off one shoulder, trousers fluttering with a cuff of ostrich feathers and some umpteen stunner beaded gowns. The dresses, tops and skirts were slashed to reveal flashes of skin.

Time to check Netflix or Hulu for the 1990 David Lynch film “Wild at Heart,” which stars a carefree Laura Dern and Nicolas Cage. Joseph Altuzarra had it on the brain when designing his spring collection. With David Lynch as inspiration, Altuzarra’s collection was all about romantic and kitschy garments with a little darker pulsing just under the surface. “I wanted the collection to feel happy, vibrant and erotically charged,” the designer wrote in his program, and the clothing obliged. A mix of flirty ruffle dresses in cherry prints and the tougher python print, hit the runway. There were Nipped jackets and slit skirts in gingham which seem perfect for lunching with the gals, and those teensy flouncy bralettes in crepe de chine paired with a ruffly skirt should be the uniform for your Bahama vacay.

British designer Jenny Packham (she’s a favorite of the Royals) lined up all sorts of glamor in her Sunday afternoon show and within her 31-look collection, there was something for everybody. For rocker girls who party there was a formal gold illusion beaded top with wide-leg embellished trousers, or an uber blinged-out black and gold gown with wide sleeves. A surprising little floral embroidered tulle shorts outfit and a fiery red chiffon mini with a ruffled hem and blousy sleeves, was just the thing for jet-setting hippie girls. Mothers of the bride and maybe queen mothers will swoon for several satiny pale pink jobs along with an elegant, albeit restrained, auburn skirt and shirt ensemble. But we liked the last gown, an off-the-shoulder Calder-inspired print in black and ivory for the Duchess of Cambridge herself!
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At Victoria Beckham’s morning show it was all about clothes. Beckham, who is known for her bodycon silhouettes loosened up significantly with garments that skimmed gracefully rather than clung. Stars of the show included crushed summer-weight velvet numbers in lilac and white, and crinkly washed satin dresses that could easily go from day to night. Some ensembles had bra tops and paper bag waists along with matching soft bags that punctuated the ease of this lineup. Beckham herself called it, “a collection with an assured free spirit.”
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After his two fashion shows, Wang had a wall open up revealing a huge party space behind the runway, complete with the guilty pleasures we all share — a 7-Eleven truck filled with candy, chips and other munchies, a McDonald’s truck churning out fresh-cooked cheeseburgers and fries, a graffiti station and a D.J. spinning tunes and more. Prior to this massive party came his eponymous spring line, which featured menswear-inspired fabrics like the blue-striped shirt material used for strappy bralettes, paired with shorts and a pinstripe blazer with the sleeves ripped off. Sport was another key influence here, and some of the best looks were the gray scuba-like dresses with candy-colored trim. Post this the designer released a surprise collection – a special collaboration with Adidas featuring 84 unisex pieces of apparel and footwear which included hoodies, track jackets, shorts, and more.

The designer’s concept this time was #tommynow – Tommy Hilfiger’s take on the “see now, buy now” phenomenon. The “wow” reaction had to do with the fact that Tommy didn’t just mount a runway show – he created a full carnival, complete with fried food, spinny rides and a Ferris wheel on a pier at South Street Seaport. Debuting the new “Tommy x Gigi” capsule collection was the runway hottie herself – Gigi Hadid. The looks were classic Tommy — midriff sailor shirts, fisherman’s knit sweater dresses, denim cutoffs, oversize satin bombers and a massive furry hoodie emblazoned with an anchor on front — all very nautical and hyper American, which Tommy does oh so well.
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Australian designer Nicky Zimmermann’s  runway was set in a space where separate areas were cordoned off by opaque screens (to create an underground effect, we suspect) and was all about a hipster’s take on modern rumpled elegance. There were feminine frills, tiers, ruffles and lace galore in a palate of cream, lilac, steel blue and dusty peach. A fabulous bathrobe coat was done up in washed out florals, there were wide trousers in soft French stripes and patchwork checked silk blouses to suggest “rogue swagger,”. A swashbuckling pirate vibe ran as an undercurrent to all the romance here, heightened by plenty of corsetry. Ahoy!

It was a welcome return for Oday Shakar, who on Friday morning returned to New York Fashion Week after a two-year hiatus. Shakar’s regal collection, meant to reflect his Arab-American heritage by fusing Western and Middle Eastern influences, was v-e-r-y good. From ultra bodycons in feather light micro suede to billowy glam kaftans, flowy chiffon and organza pleated gowns – it was all about Spring meets Fall. Lovely prints conjured ornate mosque windows and details included patterned metallic trims. Shakar used color judiciously — lots of white and pale blush here but when he went for it, he went big, as in the case of a vivid lemony gown and an ethereal number in teal. We’d hardly be surprised to see some starlet wearing Shakar’s work on a red carpet.

Free-spirited global travelers who don’t hold back inspired Desigual’s lineup, which turned out to be, arguably, the most joyous romp of the first official day of New York Fashion Week. There were maxis in flowing textured fabrics, colorful, barely-there bikinis and loads of separates in between. Much of the collection boasted embroidery and embellishment galore, including beaded animals, plant and ethnic motifs. Models wore army green bomber jackets with flowers crawling up the sleeve, butterfly-embroidered rompers, fabulous denim jackets — some encrusted with rhinestones — vividly colored striped knits, peasant skirts and tie-dye looks. Add to the fun mix: sequin-encrusted berets, embroidered army caps, and even one topper that appeared to be a crown of butterflies.

Which was your favourite collection from #NYFW?

Let us know in the comments below 🙂



Lakme Fashion Week Winter/Festive ’16


Craving to know about all the action at the star-studded LFW? No worries, we’ve got you covered! Here’s everything you need to know about of Lakmé Fashion Week winter/festive 2016.

Manish Malhotra’s collection highlighted Indian craftsmanship combined with modern silhouettes for a stylish, young bridal entourage. Also seen, were the designer’s signature resham threadwork, clustered sequins and intricate hand embroidery on dramatic trails and off-shoulder capes, alongside floral motifs.

The designer emphasized on shimmer. The collection comprised a lot of dusty, smoky, shimmery metallics along with strong contrasting jewel tones, like a deep emerald, a rich oxblood, a coffee maroon among others. The showstopper Kareena Kapoor Khan looked ethereal walking down the ramp showing off her oh-so-classy baby bump. 

Quirkbox’s collection, aptly titled ‘Madness’ had a clash of prints, colours and metal structures juxtaposed with relaxed silhouettes. We liked the live installation where polychromatic art was projected onto the garments. The attires were fun, youthful and offbeat. Only when the psychedelic projections were dimmed down did we notice that the garments had a whole lot of pop-art on them with metal details adding to the spirit of the collection.

Inspired by the aerial views of landscapes and by the geometry of organic natural objects, Karishma Shahani Khan’s label featured her trademark layered, soft silhouettes with plenty of tassels and tie and dye patterns. The colour palette included primary and secondary shades like tangerine, indigo, mustard, berry, purple and red. We liked the unusual spin on a sari paired with a blazer. The collection which was replete with cropped jackets and fun casuals was good enough to wear right off the ramp.

Known for his minimalistic styling and intense construction, the designer revealed an interesting and innovative look for the coming festive season. Turning to his Indian roots for inspiration, Rajesh called his collection ‘The Punjabi Suit’ and gave it the high tech futuristic treatment. We liked the striped double-breasted jacket with salwars, capri pants, denim-waistcoats and striped dhoti pants.

The designer’s collection titled ‘Winter Garden’ was all about vintage florals and garden prints against organic fabrics. We liked the colour palette that moved from bright hues to rustic tones and finally earthy shades, as an ode to the passage of seasons.

Ashish N Soni offered an interplay of black and white prints on fitted yet boxy silhouettes. The oversized and exaggerated cuts took inspiration from the 70s, 80s, and 90s fashion. A stark contrast to the well-tailored clothes was the volumious hair, in the form of beehive blowouts and overly-done Monroe curls.

Shantanu and Nikhil’s collection that paid homage to India’s freedom fighters was naturally inspired by warriors and had a strong military aesthetic. However, the utilitarian details were balanced by an opulent silhouettes that had a regal air. We loved the short and structured jackets and also the menswear – which included draped kurtas, belted coats and jackets, Patiala pants and fur-lined shoes.

The Label’s vibe this season was sports-inspired fashion, without being athletic. The streetwear staples blended Indian textiles with western sensibilities. Pieces included the brand’s usuals — maxi dresses, skirts, blouses and off-shoulder tunics. Even though we like the athleisure trend that is all over the ramps, we appreciate that The Label went with a more feminine approach to sportswear.

His colourful collection wove a story of its own through its vintage Indian prints and motifs inspired by folk tales. We like the trendy silhouettes including matching skirt-sets and off-shoulder maxis. We love the busy floral print and the colorful kitschy-er versions.

Payal Khandwala’s “The New Emperor” was a fitting collection for the fiercely modern bride. From the power-oozing suits to the full lehengas, the jewel-toned collection had strong metallic accents throughout. We love the powerful lion motif that showed up on the jewellery and brocades used in the collection. It was also refreshing to see the dupatta replaced by her trademark capes.

Shivan and Narresh’s “Honeymoon Story was a beautiful take on resort wear. They used a rare technique called Skein work for their embellishments. Like last season, they found inspiration in Henri Rousseau’s work, and this time the results were oozing with luxe high fashion. We’re digging their 70s glamazon vibes!

Tell us which designer appealed to you the most and why 🙂


Sanjay Garg at AIWF S/S ’16


We cannot get enough those dreamy Mashru calf-length kurtas by Sanjay Garg at Amazon India Fashion Week Spring/Summer ’16.

Mashru fabric with cotton on one side and silk on the other, originated as a way for Muslims to wear silk without breaking sharia law, which prohibits the luxury of wearing silk.

Beautifully crafted, underrated opulence was the call of the day. Garg explored three different variations of it for his latest collection–the gulbadan, with delicate floral motifs; the danedar, in which floats of cotton weft resemble polka dots; and ashrafi, a circular motif reflective of ancient coins, filled with an intricate chevron pattern.

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The Brilliant Blues

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The Black Ballad

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The Ravishing Reds

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The Glamorous Greens

The stand-out pieces were definitely the calf-length kurtas with the cigarette fit pants, detailed with gold tone-on-tone motifs and subtle stripes.

We were bowled over by these pieces, were you?

#springsummer #AIWF #sanjaygarg #kurtas #mashru #fashionweek #runway #designer

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